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On clashing mythologies of history with Robert Greene
Tomáš Hudák10/9/2019
In the morning on 12th of July 1917, 1200 men were held at gunpoint by sheriff and 2000 deputized citizens…
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Identical enough
Anaslav Piňevsky21/7/2019
AN INTRODUCTION TO THE IMPLICATIONS OF PLEASURING ONESELF WITH GREAT APES There is no identity. No two things are quite…
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The old and the new Cannes. Has anything changed for female filmmakers? Part 2.
Flavia Dima26/6/2019
With Cannes now at a comfortable distance, there is one specific, viral incident that took place towards the end of…
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Hybrid states
Flavia Dima22/6/2019
INTERVIEW WITH NADAV LAPID Nadav Lapid’s third feature film is making waves across the festival circuit – Synonymes, the winner of…
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I am no Casanova
Flavia Dima29/5/2019
INTERVIEW WITH MARIANO LLINÁS “Beautiful, is it not?” Overlooking the ice-skating ring adjacent to the Stadpark, with its skaters reduced…
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The old and the new Cannes – has anything changed for female filmmakers?
Flavia Dima26/5/2019
After last year’s seemingly game-changing adoption of an equality pledge, culminating with an open stand-in protest of the industry’s most…
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Eva Sangiorgi: Festival has to give exposure to things that are forgotten
Flavia Dima18/5/2019
As the 56th edition of the Viennale is slowly drawing to a close, Eva Sangiorgi enters our interview room on…
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Shapes of intimacy. An interview with Adina Pintile.
Flavia Dima17/5/2019
Some fail to see what the big deal is. Others view it as a complete revelation, an experience of liberation…