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On the ghosts we keep close and Brazilian cinema with Beatriz Seigner
Beatriz Seigner is an award winning Brazilian writer, director and producer best known for her recent film Los Silencios which…
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On Madness and Inner Beauty of Freedom
Joker (dir. Todd Phillips, USA, 2019, 122 min) One year ago, my knowledge on Joker only consisted of a few…
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Three-second long interview with Zanussi
„Zanussi is one of those authors who have known how to enrich a dialogue with a religious, metaphysical, or scientific…
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DRAG: A peek under the curtain into the unknown world
Drag has recently become a phenomenon that has started to appear in every area of pop culture. What is a…
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On clashing mythologies of history with Robert Greene
In the morning on 12th of July 1917, 1200 men were held at gunpoint by sheriff and 2000 deputized citizens…
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Identical enough
AN INTRODUCTION TO THE IMPLICATIONS OF PLEASURING ONESELF WITH GREAT APES There is no identity. No two things are quite…
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The old and the new Cannes. Has anything changed for female filmmakers? Part 2.
With Cannes now at a comfortable distance, there is one specific, viral incident that took place towards the end of…
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Hybrid states
INTERVIEW WITH NADAV LAPID Nadav Lapid’s third feature film is making waves across the festival circuit – Synonymes, the winner of…
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I am no Casanova
INTERVIEW WITH MARIANO LLINÁS “Beautiful, is it not?” Overlooking the ice-skating ring adjacent to the Stadpark, with its skaters reduced…
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The old and the new Cannes – has anything changed for female filmmakers?
After last year’s seemingly game-changing adoption of an equality pledge, culminating with an open stand-in protest of the industry’s most…
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Eva Sangiorgi: Festival has to give exposure to things that are forgotten
As the 56th edition of the Viennale is slowly drawing to a close, Eva Sangiorgi enters our interview room on…
