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On Madness and Inner Beauty of Freedom
Petra Sedláková11/12/2019
Joker (dir. Todd Phillips, USA, 2019, 122 min) One year ago, my knowledge on Joker only consisted of a few…
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Three-second long interview with Zanussi
Tereza Dodoková30/10/2019
„Zanussi is one of those authors who have known how to enrich a dialogue with a religious, metaphysical, or scientific…
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DRAG: A peek under the curtain into the unknown world
Lujza Zhang
Drag has recently become a phenomenon that has started to appear in every area of ​​pop culture. What is a…
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On clashing mythologies of history with Robert Greene
Tomáš Hudák10/9/2019
In the morning on 12th of July 1917, 1200 men were held at gunpoint by sheriff and 2000 deputized citizens…
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Identical enough
Anaslav Piňevsky21/7/2019
AN INTRODUCTION TO THE IMPLICATIONS OF PLEASURING ONESELF WITH GREAT APES There is no identity. No two things are quite…
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The old and the new Cannes. Has anything changed for female filmmakers? Part 2.
Flavia Dima26/6/2019
With Cannes now at a comfortable distance, there is one specific, viral incident that took place towards the end of…
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Hybrid states
Flavia Dima22/6/2019
INTERVIEW WITH NADAV LAPID Nadav Lapid’s third feature film is making waves across the festival circuit – Synonymes, the winner of…
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I am no Casanova
Flavia Dima29/5/2019
INTERVIEW WITH MARIANO LLINÁS “Beautiful, is it not?” Overlooking the ice-skating ring adjacent to the Stadpark, with its skaters reduced…
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The old and the new Cannes – has anything changed for female filmmakers?
Flavia Dima26/5/2019
After last year’s seemingly game-changing adoption of an equality pledge, culminating with an open stand-in protest of the industry’s most…
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Eva Sangiorgi: Festival má povinnosť hovoriť o veciach, na ktoré sa zabúda
admin25/11/2018
Autorka: Flavia Dima, preklad: Saša Gabrižová 56.ročník Viennale sa pomaly blíži ku koncu, no keď Eva Sangiorgi vchádza do miestnosti…